![]() You can always re-open it in Edison at any point to make changes. So once you have made your edits you can make the clip a part of your track. Use envelopes to modulate parameters in realtime.ġ2: Using the Tools or contextual menu you can go to the Sequencing section and choose to send the clip to the Playlist as an audio clip or send it to the selected channel. Right click to add a point and right click on a point to choose a curve or shape for that point. ![]() These include pan, volume and stereo separation and there’s a general purpose, assignable envelope too. It’s useful for reducing CPU overhead.ġ1: Click on the tiny icons at the bottom left of Edison’s window and you can set envelope parameters for an audio clip. This renders an effect onto a clip so that it is always played back as part of it rather than working as an insert on an audio channel. Try for example applying an effect directly to a clip using the EQ, Blur or Reverb buttons. Start by going to the very base of the window, and experimenting with using the In and Out knobs to create a fade at the start or end of the clip.ġ0: Some of the audio tools are also available from Edison’s toolbar. Then click on it to open the Channel Settings window and you will see a number of options. Read on to find out how it all works!ġ: To begin with you will need to have an audio clip either recorded or imported so it’s inside a project. So between these various tools and techniques you will find it quite possible to manipulate every aspect of your audio tracks whether it’s simply normalizing a clip that’s been recorded too quietly, removing hiss or rumble using effects and EQ, or slicing loops to the sequencer to make them playable as instruments in their own right. In the Playlist editor it’s also possible to edit audio clips insofar as they are sequenced as blocks of data on a timeline. ![]() The spectrographic view in particular is handy for understanding what’s going on inside an audio clip and how to fix any potential problems. Here you will find a much more advanced selection of functions that can be used to take control of audio parts before they are played back using the sequencer. NOTE: Reverb is one of those effects that is easy to overdo in a mix, creating a washed out and muddy sound. Alternatives to Fruity Reeverb 2 are Fruity Reeverb, Fruity Convolver & LuxeVerb. For detailed editing you can move to the Edison module, FL Studio’s dedicated audio manipulation tool. Fruity Reeverb 2 can create lush and smooth reverberations of up to 20 seconds duration and is the most sophisticated reverb in the FL Studio stable.
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